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Programme Archive 過去節目----Media Focus 傳媒焦點----Back Home 回主頁___________________________________________________________________________
展期：2011年1月22日(星期六) 至2011年3月27日 (星期日)
地點：POINT TO LIFE BOOKS
(九龍塘達之路72號創新中心1樓展示廳)
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Programme Archive 過去節目----Media Focus 傳媒焦點----Back Home 回主頁___________________________________________________________________________
展期：2011年1月22日(星期六) 至2011年3月27日 (星期日)
地點：POINT TO LIFE BOOKS
(九龍塘達之路72號創新中心1樓展示廳)
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最新消息 Newest News
※ 展覽導賞：2011年2月26日(星期六) 下午2時半 (於POINT TO LIFE BOOKSTORE集合)將由本書作者及繪圖師親自講解！名額有限，歡迎致電31882807/94121244預約！
※ 聚談會二：本土文化內涵與創意產業發展日期：2011年2月26日（星期六）
時間：下午3時30分至5時30分
地點：POINT TO LIFE BOOKSTORE(九龍塘達之路72號創新中心1樓展示廳)
嘉賓講者：何慶基先生
※ 展覽導賞：2011年2月26日(星期六) 下午2時半 (於POINT TO LIFE BOOKSTORE集合)將由本書作者及繪圖師親自講解！名額有限，歡迎致電31882807/94121244預約！
※ 聚談會二：本土文化內涵與創意產業發展日期：2011年2月26日（星期六）
時間：下午3時30分至5時30分
地點：POINT TO LIFE BOOKSTORE(九龍塘達之路72號創新中心1樓展示廳)
嘉賓講者：何慶基先生
(本書顧問、資深藝評人及策展人、香港中文大學文化管理碩士課程主任)
特別嘉賓：陳焯賓先生
(POINT TO LIFE BOOKSTORE總監)
主持：《棚‧觀‧集》作者謝燕舞、小口、潘詩敏
講題簡介：
隨近年愈多自我文化身份的覺醒，「本土文化」成為了熱門名詞，應用於各式討論中，並經常與「創意」掛鉤，期望在香港發展成「產業」。然而，為什麼說香港是獨特的？究竟我們可以如何形容香港的本土文化特點？回顧察看粵劇文化所經歷的路：從內地本是具革命性的文藝工具，流傳至香港。粵劇文化乃至棚藝的傳承，因著歷史緣由避過了文化大清洗，其嶺南文化風格在殖民地被動的文化政策取向下，得以保存並自由發展；然後又隨香港這急促的資本社會發展和城市化進程，生成了如今的文化面貌及獨特的城市景觀。粵劇的獨特性，是否正與香港獨特的文化角色相通相承？我們又如何以其豐富的蘊涵，融匯於香港當代文化創意發展的大趨勢裡？
※Guided Tour: 26 Feb 2011(Sat) 2:30pm (Gathered at POINT TO LIFE BOOKSTORE)Guided tours and interactive sharing sessions will be provided with leading by the three authors. Limited seats are available, for reservation and enquiry please call 31882807 or 9412 1244.
※Sharing and Discussion Session 2:Contents of Local Cultures and Developments of Creative IndustryDate: 26 Feb 2011 (Sat) Time: 3:30 – 5:30pm
Venue: POINT TO LIFE BOOKSTORE (Showcase Area, 1/F InnoCentre, 72 Tat Chee Avenue, Kowloon Tong)
Guest speaker: Mr HO Hing-kay Oscar
主持：《棚‧觀‧集》作者謝燕舞、小口、潘詩敏
講題簡介：
隨近年愈多自我文化身份的覺醒，「本土文化」成為了熱門名詞，應用於各式討論中，並經常與「創意」掛鉤，期望在香港發展成「產業」。然而，為什麼說香港是獨特的？究竟我們可以如何形容香港的本土文化特點？回顧察看粵劇文化所經歷的路：從內地本是具革命性的文藝工具，流傳至香港。粵劇文化乃至棚藝的傳承，因著歷史緣由避過了文化大清洗，其嶺南文化風格在殖民地被動的文化政策取向下，得以保存並自由發展；然後又隨香港這急促的資本社會發展和城市化進程，生成了如今的文化面貌及獨特的城市景觀。粵劇的獨特性，是否正與香港獨特的文化角色相通相承？我們又如何以其豐富的蘊涵，融匯於香港當代文化創意發展的大趨勢裡？
※Guided Tour: 26 Feb 2011(Sat) 2:30pm (Gathered at POINT TO LIFE BOOKSTORE)Guided tours and interactive sharing sessions will be provided with leading by the three authors. Limited seats are available, for reservation and enquiry please call 31882807 or 9412 1244.
※Sharing and Discussion Session 2:Contents of Local Cultures and Developments of Creative IndustryDate: 26 Feb 2011 (Sat) Time: 3:30 – 5:30pm
Venue: POINT TO LIFE BOOKSTORE (Showcase Area, 1/F InnoCentre, 72 Tat Chee Avenue, Kowloon Tong)
Guest speaker: Mr HO Hing-kay Oscar
(Advisor of the book, Professional Curator and Art Critic, Professional Consultant for Master of Arts in Cultural Management, CUHK)
Special speaker: Mr. Anson Chan
(Director of POINT TO LIFE BOOKSTORE)
Host: TSE Yin-mo, Xiao Kou and POON Sze-man (Authors of the book)
Introduction:
With increasing self-consciousness on local cultural identities, the term “local culture” is being frequently used in various discussions and often being related to “creativity”, with an expectation leading to development into the “industry”. However, the discussion may return to a basic question: how unique is the city we are living in? How can we describe the unique cultural characters of Hong Kong?
Let’s look into the road that Cantonese opera gone through. From being an artistic tool with revolutionary characters in mainland China, the performing art spread to Hong Kong. Under the shelter of the passive colonial cultural policies, Cantonese opera, together with bamboo scaffolding skills, dodged the Cultural Revolution and maintained their characteristics in term of the Lingnan culture. Preserved and developed, following the rapid capitalistic and urbanizing developments, the arts and cultures grew into special cultural scenes still being seen everywhere in the city. How do the special characters of Cantonese opera culture directly connect with the cultural characters of Hong Kong? How can we concretely describe the linkage in between? Can we practically integrate the traditional cultures into current trend of creative industry development?
Host: TSE Yin-mo, Xiao Kou and POON Sze-man (Authors of the book)
Introduction:
With increasing self-consciousness on local cultural identities, the term “local culture” is being frequently used in various discussions and often being related to “creativity”, with an expectation leading to development into the “industry”. However, the discussion may return to a basic question: how unique is the city we are living in? How can we describe the unique cultural characters of Hong Kong?
Let’s look into the road that Cantonese opera gone through. From being an artistic tool with revolutionary characters in mainland China, the performing art spread to Hong Kong. Under the shelter of the passive colonial cultural policies, Cantonese opera, together with bamboo scaffolding skills, dodged the Cultural Revolution and maintained their characteristics in term of the Lingnan culture. Preserved and developed, following the rapid capitalistic and urbanizing developments, the arts and cultures grew into special cultural scenes still being seen everywhere in the city. How do the special characters of Cantonese opera culture directly connect with the cultural characters of Hong Kong? How can we concretely describe the linkage in between? Can we practically integrate the traditional cultures into current trend of creative industry development?
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近期專題報導 Recent Featuring:
香港電台電視節目"The Works" (藝坊)介紹《棚‧觀‧集》
20/2/2011早上8時翡翠台 (中文版)
